Real World

The Gun Pointed at the Head of the Universe: Difference between revisions

From Halopedia, the Halo wiki

m (Text replacement - "{{Ref/Sources}} {{" to "{{Ref/Sources}} {{")
 
(3 intermediate revisions by 2 users not shown)
Line 19: Line 19:
==Appearances==
==Appearances==
The track can be heard:  
The track can be heard:  
*In the level ''[[Halo (Halo: Combat Evolved level)|Halo]]'', when [[John-117]] finds the last group of Marines in the [[Forerunner]] structures.  
*In the level ''[[Halo (Halo: Combat Evolved level)|Halo]]'' (Choir version), when [[John-117]] finds the last group of Marines in the [[Forerunner]] structures.  
*In the level ''[[The Silent Cartographer]]'', when John-117 comes to the [[Cartographer]] building for the first time.  
*In the level ''[[The Silent Cartographer]]'', when John-117 comes to the [[Cartographer]] building for the first time.  
*In the level ''[[Assault on the Control Room]]'', briefly when John first commandeers an [[M808B Scorpion]], when he encounters the tunnel entrance guarded by two [[Type-26 Wraith]]s, and when he battles the [[Plasma Rifle]]-wielding [[Sangheili Zealot]].  
*In the level ''[[Assault on the Control Room]]'', briefly when John first commandeers an [[M808B Scorpion]] before encountering the tunnel entrance guarded by two {{Pattern|Zurdo|Wraith}}s (The full choir version plays if John progresses to the tunnel without commandeering the [[M808B Scorpion]]), and when he battles the {{Pattern|Okarda'phaa|plasma rifle}}-wielding [[Sangheili Zealot]].  
*In the level ''[[343 Guilty Spark (level)|343 Guilty Spark]]'', when John and the Marines are leaving the [[Flood containment facility]].  
*In the level ''[[343 Guilty Spark (level)|343 Guilty Spark]]'', when John and the Marines are leaving the [[Flood containment facility]].  
*In the level ''[[Keyes]]'', when [[Jacob Keyes|Captain Keyes]] orders John and [[Cortana]] to pull out.  
*In the level ''[[Keyes]]'' (Choir version), when [[Jacob Keyes|Captain Keyes]] orders John and [[Cortana]] to pull out.  
*In the level ''[[The Maw]]'', while the John blows up the engines of the {{UNSCShip|Pillar of Autumn}}
*In the level ''[[The Maw]]'', after John destroys the first fusion reactor in engineering of the {{UNSCShip|Pillar of Autumn}}.


==Arrangements==
==Arrangements==
Line 32: Line 32:


==Production notes==
==Production notes==
*The percussion in this track is similar to a rhythm motif that reoccurs in the soundtracks for [[wikipedia:Myth_The_Fallen_Lords|''Myth'']] and [[wikipedia:Myth_II_Soulblighter|''Myth II'']], including ''[https://www.youtube.com/watch?v=L7suyzEbPno The Watcher]'', ''[https://youtu.be/exbHYq9y78Q Into The Breach]'' (which coincidentally, is also the name of [[More Than His Share|a ''Halo 3: ODST'' track]]), ''[https://youtu.be/KjC5-uJWvhI A Murder Of Crows]'' and ''[https://www.youtube.com/watch?v=g362Q0fEiaE The Wall]''.
*The percussion in this track is similar to a rhythm motif that reoccurs in the soundtracks for [[wikipedia:Myth The Fallen Lords|''Myth'']] and [[wikipedia:Myth II Soulblighter|''Myth II'']], including ''[https://www.youtube.com/watch?v=L7suyzEbPno The Watcher]'', ''[https://youtu.be/exbHYq9y78Q Into The Breach]'' (which coincidentally, is also the name of [[More Than His Share|a ''Halo 3: ODST'' track]]), ''[https://youtu.be/KjC5-uJWvhI A Murder Of Crows]'' and ''[https://www.youtube.com/watch?v=g362Q0fEiaE The Wall]''.
*The continuing rhythm which plays for the entire length of the track is based on [http://youtu.be/HV42JK2Qe_Y?t=49s an onboard factory audition sequence] from the E-MU Protozoa expansion for the Proteus 2000 synthesizer.
*The continuing rhythm which plays for the entire length of the track is based on [http://youtu.be/HV42JK2Qe_Y?t=49s an onboard factory audition sequence] from the E-MU Protozoa expansion for the Proteus 2000 synthesizer.
*The track uses the following instruments and patches/samples:{{Ref/Site|D=21|M=6|Y=2021|URL= https://docs.google.com/spreadsheets/d/1D6ul0wsqq1oeqqOqqfx_9V4o7TxN6HvXB8RyHmNHPs4/edit?ts=5e8800a4#gid=0|Site=Google Sheets|Page=Mythic Restoration Project: Halo Patch List}}
*The track uses the following instruments and patches/samples:{{Ref/Site|D=21|M=6|Y=2021|URL= https://docs.google.com/spreadsheets/d/1D6ul0wsqq1oeqqOqqfx_9V4o7TxN6HvXB8RyHmNHPs4/edit?ts=5e8800a4#gid=0|Site=Google Sheets|Page=Mythic Restoration Project: Halo Patch List}}

Latest revision as of 06:31, October 14, 2022

The Gun Pointed at the Head of the Universe

Album:

Halo: Original Soundtrack

Composer(s):

Martin O'Donnell and Michael Salvatori

Length:

2:26

Previous:

Ambient Wonder

Next:

Trace Amounts

 

The Gun Pointed at the Head of the Universe is the eighth track in Halo: Original Soundtrack.

Overview[edit]

It is composed nearly entirely of percussion, only having a deep bass note towards the middle of the piece and some vocals at the end of the piece. The rest of the sound is produced by a combination of drums, auxiliary percussion and hand-clapping, which is usually unheard of in many tracks written for Halo.

The piece was primarily written by Michael Salvatori with additions from Martin O'Donnell.[1]

Appearances[edit]

The track can be heard:

Arrangements[edit]

The track has been arranged into the following:

Production notes[edit]

  • The percussion in this track is similar to a rhythm motif that reoccurs in the soundtracks for Myth and Myth II, including The Watcher, Into The Breach (which coincidentally, is also the name of a Halo 3: ODST track), A Murder Of Crows and The Wall.
  • The continuing rhythm which plays for the entire length of the track is based on an onboard factory audition sequence from the E-MU Protozoa expansion for the Proteus 2000 synthesizer.
  • The track uses the following instruments and patches/samples:[2]
    • E-MU Proteus 2000:
      • Protozoa ROM - 008-3 P3/Percussion 1 (Ethnic percussion)
    • Kurzweil K2500X
      • 118 Cathedral Choir
  • The name of the soundtrack is most likely in reference to the Halo Array, as its near activation can be interpreted as a "Gun Pointed at the Head of the Universe". The phrase is also that of the first chapter title of the level Two Betrayals.
  • Martin O'Donnell produced a variation of the piece utilizing hip-hop beats, but the piece was cut from the game. The piece was retroactively named "Seriously?",[3] and O'Donnell later implied that the piece did not survive the test of time.[4]

Sources[edit]