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  | name      = Exodus
  | name      = Exodus
  | video      = {{#widget:YouTube|id=79HpEcrQjO8|width=300}}
  | video      = {{#widget:YouTube|id=79HpEcrQjO8|width=300}}
  | album      = [[Halo: Reach Original Soundtrack]]
  | album      = ''[[Halo: Reach Original Soundtrack]]''
  | composer  = [[Martin O'Donnell]] and [[Michael Salvatori]]
  | composer  = [[Martin O'Donnell]] and [[Michael Salvatori]]
  | length    = 7:18
  | length    = 7:18
Line 160: Line 160:
'''Exodus''' is the seventh track (Disc 1 Track 7) included in ''[[Halo: Reach Original Soundtrack]]'', and plays mainly in the ''[[Halo: Reach]]'' campaign level ''[[Exodus]]''. It is composed of ''Before the Fire'' (0:00-1:29), ''The Sky's No Limit'' (1:29-2:33), ''The Other Side'' (2:33-3:15), ''City Under Siege'' (3:15-5:43), ''Few More Days'' (5:43-6:43), and ''Apology'' (6:43-7:18).
'''Exodus''' is the seventh track (Disc 1 Track 7) included in ''[[Halo: Reach Original Soundtrack]]'', and plays mainly in the ''[[Halo: Reach]]'' campaign level ''[[Exodus]]''. It is composed of ''Before the Fire'' (0:00-1:29), ''The Sky's No Limit'' (1:29-2:33), ''The Other Side'' (2:33-3:15), ''City Under Siege'' (3:15-5:43), ''Few More Days'' (5:43-6:43), and ''Apology'' (6:43-7:18).


''Before the Fire'' (1:29)
==Overview==
''The Sky's No Limit'' (1:04)
===Before the Fire===
''The Other Side'' (0:42)
''Before the Fire'' (1:29) opens with high strings playing the strings part of ''My Heart Breaks'' on a higher register. Low strings and choir then join in and they play the string melody from ''[[In Amber Clad]]'' (from ''[[Halo 2: Original Soundtrack]]'', and slowed down for an ending. The piece plays in the opening cinematic.
''City Under Siege'' (2:28)
 
''Few More Days'' (1:00)
===The Sky's No Limit===
''Apology'' (0:35)
''The Sky's No Limit'' (1:04) fades in with twinkling effects, followed by tribal percussion accompanied by strings. The percussion rhythm repeats with higher intensity each time, then the piece ends with strings. The twinkling effects are played when [[SPARTAN-B312]] encounters [[Suicide Unggoy]] in [[New Alexandria (location)|New Alexandria]].
 
===The Other Side===
''The Other Side'' (0:42) features pulsing synth effects and a high tempo string melody. The melody repeats and ends with the synth effects. The piece plays when Noble Six is clearing the landing pad at [[Traxus Tower]].
 
===City Under Siege===
''City Under Siege'' (2:28) is a strings-only version of ''Latchkey'' (from the earlier track ''[[ONI: Sword Base (music)|ONI: Sword Base]]''. The piece plays when Noble Six is riding the [[UH-144 Falcon]] to [[Caracalla Park]].
 
===Few More Days===
''Few More Days'' (1:00) opens with0 quick percussive beats. Low strings enter with a heavy melody. The melody repeats with the percussion in accompaniment before ending with a dissonant chord. The piece plays after Noble Six activates one of the two [[M95 Lance]]s in the park.
 
===Apology===
''Apology'' (0:35) features the low strings melody from the second half of the later track ''[[We're Not Going Anywhere]]''. The piece plays in the ending cinematic, when [[Kat-B320]] hails Noble Six.
 
==Production notes==
*''Before the Fire'' likely alludes to the New Alexandria's pre-[[Glassing|glassed]] state in ''Exodus'' before the following level, ''[[New Alexandria]]'', during which the Covenant glasses the city.
*''The Sky's No Limit'' is a reference to [[Bullfrogs]] and Noble Six using [[Series 8 jetpack]] to traverse the [[New Alexandria cargo port]].
*''City Under Siege'' refers to the [[Siege of New Alexandria]].
*''Apology'' refers to Noble Six notifying Kat of the [[Jorge-052]]'s death.


{{Soundtrack|HR}}
{{Soundtrack|HR}}

Revision as of 12:04, November 27, 2020

Track listing

Volume 1

  1. Awakening – 5:41

E5C3 opening cinematic E6C1 after freeing marines E10C3 boarding

  1. Belly of the Beast – 2:38

E7C2 when Covenant reinforcements arrive, followed by a lighter version

  1. Requiem – 2:15
  2. Legacy – 2:29

E9C5 activating the map

  1. Faithless – 5:02

E3C1 defense with UNSC gear E3C2 final wave of Covenant E4C3 initial arrival E4C4 light version in opening, followed by full version E6C1 after deactivating shield door E7C2 when returning to the hangar E8C2 opening cinematic E8C3 opening cinematic E8C5 briefly in opening cinematic E9C4 wave of hunters after ambush E10C1 blowing up the harvester entrance E10C5 briefly in opening cinematic

  1. Haven – 5:44
  2. Nemesis – 3:31
  3. Ascendancy – 4:19

E4C4 when defending after arrival of mantis E4C2 when defending the rear tower E4C5 when reactivating the reactor E5C1 when defending wave E5C5 briefly in opening cinematic E5C5 when Phantoms arrive E6C3 after extracting Covenant intel E7C4 when clearing aft weapon controls E8C3 when inside the cave E8C5 when clearing the area after activating AA guns E10C3 when opening door E10C3 exiting the lich

  1. Solace – 4:45
  2. To Galaxy – 4:57

E3C1 Opening cinematic E3C2 opening cinematic E4C5 closing cinematic E5C4 opening cinematic E5C5 after clearing the area

  1. Immaterial – 7:32
  2. 117 – 7:28
  3. Arrival – 5:36
  4. Revival – 7:19
  5. Green and Blue – 7:59

Volume 2

  1. Atonement – 3:16
  2. Gravity – 2:09

E10C5 escaping the cave

  1. Wreckage – 3:24
  2. Aliens – 5:31

E9C5 activating grav lift

  1. Kantele Bow – 4:04

E4C5 activating base power E9C4 after ambush

  1. Pylons – 5:39

E4C4 when knights enter near the end E5C2 when destroying tech E6C5 exiting harvester E9C1 defending the power source

  1. Escape – 3:57

E10C3 returning to caves

  1. Swamp – 2:49

E3C2 deactivating generators E3C4 briefly opening between each wave E5C2 between each wave E6C5 seraching IFF tags E7C1 opening skirmish E9C2 between encounters E10C1 inside harvester E10C5 inside cave

  1. Push Through – 4:44

E3C4 when defending waves of Banshees and Phantoms E5C5 when drop pods arrive after finding UNSC gear E7C4 when closing doors E7C5 when facing final wave E8C2 when clearing the conduits E8C3 clearing the area after freeing switchback E9C3 nitial scorpion section, again in the final assault E10C5 attacking the harvester

  1. Convoy – 4:44

E10C3 when lich arrives

  1. To Galaxy (Extended) – 7:04

E3C3 briefly in opening cinematic (3:15) E7C2 when entering server room hallway (1:07) E7C5 upon clearing hangar E9C2 into the cave

  1. Lasky's Theme – 3:55
  2. Foreshadow – 3:34

E6C5 entering harvester E7C4 when moving to guns

  1. Cloud City – 4:35
  2. This Armour – 4:47
  3. Intruders – 3:39

E4C1 after cinematic and until pylon is activated E5C2 when returning to the main atrium E5C4 when defending the generators E6C1 opening combat E7C3 in the hallways to data center

  1. Mantis – 4:02

E7C1 after Murphy drops off a Mantis E10C4 when defending the caves and clearing the landing zone

  1. Sacrifice – 3:02
  2. Never Forget (Midnight Version) – 4:37
  3. Majestic – 2:12

Music excluded from OST (according to my ears anyway):

  • The strings heard during level Requiem when moving to The Gate
    • E3C3 when attacking jammer
    • E4C1 when leaving sniper valley
    • E6C3 when outside fending off reinforcements from the phantom
    • E7C2 when clearing the hangar
    • E8C5 when investigating the first two map locations
  • Ambiance with soft drums and suspenseful strings heard in E3C3 when investigating tower
  • Grave melody by strings and bass heard in E3C4 during initial defense
  • Strings melody heard in E3C4 when pelicans bring in mantises
  • triumphant melody usually played for crimson heroics
    • S3C4 when defending
    • S4C3 after activating portal
    • E8C5 after activating turrets
    • E10C1 disabling the aa guns
    • E10C3 after activating comm panel
  • humming suspenseful ambiance
    • E4C1 after tapping into covenant comms
  • upbeat woodwinds
    • E4C2 opening cinematic
  • creepy digital ambiance (sounds like swamp - variation?)
    • E4C2 when attacking waterfront tower
  • creepy ambiance
    • E4C2 when inside waterfront tower
  • suspenseful bass and percussion
    • E4C5 opening
  • short suspenseful strings
    • E6C4 investigating base

Exodus

Album:

Halo: Reach Original Soundtrack

Composer(s):

Martin O'Donnell and Michael Salvatori

Length:

7:18

Previous:

Long Night of Solace

Next:

New Alexandria

 

Exodus is the seventh track (Disc 1 Track 7) included in Halo: Reach Original Soundtrack, and plays mainly in the Halo: Reach campaign level Exodus. It is composed of Before the Fire (0:00-1:29), The Sky's No Limit (1:29-2:33), The Other Side (2:33-3:15), City Under Siege (3:15-5:43), Few More Days (5:43-6:43), and Apology (6:43-7:18).

Overview

Before the Fire

Before the Fire (1:29) opens with high strings playing the strings part of My Heart Breaks on a higher register. Low strings and choir then join in and they play the string melody from In Amber Clad (from Halo 2: Original Soundtrack, and slowed down for an ending. The piece plays in the opening cinematic.

The Sky's No Limit

The Sky's No Limit (1:04) fades in with twinkling effects, followed by tribal percussion accompanied by strings. The percussion rhythm repeats with higher intensity each time, then the piece ends with strings. The twinkling effects are played when SPARTAN-B312 encounters Suicide Unggoy in New Alexandria.

The Other Side

The Other Side (0:42) features pulsing synth effects and a high tempo string melody. The melody repeats and ends with the synth effects. The piece plays when Noble Six is clearing the landing pad at Traxus Tower.

City Under Siege

City Under Siege (2:28) is a strings-only version of Latchkey (from the earlier track ONI: Sword Base. The piece plays when Noble Six is riding the UH-144 Falcon to Caracalla Park.

Few More Days

Few More Days (1:00) opens with0 quick percussive beats. Low strings enter with a heavy melody. The melody repeats with the percussion in accompaniment before ending with a dissonant chord. The piece plays after Noble Six activates one of the two M95 Lances in the park.

Apology

Apology (0:35) features the low strings melody from the second half of the later track We're Not Going Anywhere. The piece plays in the ending cinematic, when Kat-B320 hails Noble Six.

Production notes