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A Walk in the Woods: Difference between revisions

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{{Music infobox
{{Music infobox
  | yt      = iEJ3VLJd_0E
  | yt      = LJgXTeQXx3Y
  | album      = ''[[Halo: Original Soundtrack]]''
  | album      = ''[[Halo: Original Soundtrack]]''
  | composer  = [[Martin O'Donnell]] and [[Michael Salvatori]]
  | composer  = [[Martin O'Donnell]] and [[Michael Salvatori]]
  | length    = 01:52
  | length    = 1:52
  | last      = [[Perilous Journey]]
  | last      = [[Perilous Journey]]
  | next      = [[Ambient Wonder]]
  | next      = [[Ambient Wonder]]
}}
}}
'''A Walk in the Woods''' is the sixth piece included in ''[[Halo: Original Soundtrack]]''.
'''A Walk in the Woods''' is the sixth track in ''[[Halo: Original Soundtrack]]''.


==Overview==
==Overview==
The piece is dominated by synthetic woodwinds and a bass, which together start off solo before being joined by a steel drum. The woodwinds then begin to fade out, allowing the drums to begin dominating the piece with a pulsing, regular beat. Quickly, the winds join back in, re-establishing the melody of the piece. The melody fades out again, to be replaced by contrasting beats on cymbals; soon, the melody returns, now with the cymbals laid over it to lend a secondary beat to the piece. Near the end, the melody fades out for good, allowing the piece to gently conclude with cymbals sounding over the consistent pulse of the drum.
The piece is dominated by synthetic woodwinds and a bass, which together start off solo before being joined by a steel drum. The woodwinds then begin to fade out, allowing the drums to begin dominating the piece with a pulsing, regular beat. Quickly, the winds join back in, re-establishing the melody of the piece. The melody fades out again, to be replaced by contrasting beats on cymbals; soon, the melody returns, now with the cymbals laid over it to lend a secondary beat to the piece. Near the end, the melody fades out for good, allowing the piece to gently conclude with cymbals sounding over the consistent pulse of the drum.


The piece was primarily written by [[Michael Salvatori]] with additions from [[Martin O'Donnell]].<ref>[https://www.youtube.com/watch?v=0zG18XfsnvI '''YouTube:''' ''TALKING TO MARTY O'DONNELL ABOUT HALO INFINITE, Activision, the Halo 2 crunch and MUCH MUCH MORE!'']</ref>
The piece was primarily written by [[Michael Salvatori]] with additions from [[Martin O'Donnell]].{{Ref/YouTube|0zG18XfsnvI|HiddenXperia|TALKING TO MARTY O'DONNELL ABOUT HALO INFINITE, Activision, the Halo 2 crunch and MUCH MUCH MORE!|D=6|M=7|Y=2020}}


==Appearances==
==Appearances==
This track can be heard:
This track can be heard:
*In the level ''[[Assault on the Control Room]]'', after [[John-117]] crosses the land bridge outside of the [[Control Room (Installation 04)|Control Room]].
*In the level ''[[Assault on the Control Room]]'', after [[John-117]] crosses the land bridge outside of the [[Control Room (Installation 04)|control room]].
*During the ending cutscene of the level ''[[Two Betrayals]]'', when [[Cortana]] and John-117 discuss their plan to get to [[Jacob Keyes]] in time.
*During the ending cutscene of the level ''[[Two Betrayals]]'', when [[Cortana]] and John-117 discuss their plan to get to [[Jacob Keyes]] in time.



Revision as of 17:28, August 26, 2021

A Walk in the Woods

Album:

Halo: Original Soundtrack

Composer(s):

Martin O'Donnell and Michael Salvatori

Length:

1:52

Previous:

Perilous Journey

Next:

Ambient Wonder

 

A Walk in the Woods is the sixth track in Halo: Original Soundtrack.

Overview

The piece is dominated by synthetic woodwinds and a bass, which together start off solo before being joined by a steel drum. The woodwinds then begin to fade out, allowing the drums to begin dominating the piece with a pulsing, regular beat. Quickly, the winds join back in, re-establishing the melody of the piece. The melody fades out again, to be replaced by contrasting beats on cymbals; soon, the melody returns, now with the cymbals laid over it to lend a secondary beat to the piece. Near the end, the melody fades out for good, allowing the piece to gently conclude with cymbals sounding over the consistent pulse of the drum.

The piece was primarily written by Michael Salvatori with additions from Martin O'Donnell.[1]

Appearances

This track can be heard:

Arrangements

Other than the Halo Theme, this track is the only one to be featured in the entire trilogy plus Halo: Reach. It was arranged or incorporated into the following tracks:

Sources