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Out of Shadow: Difference between revisions

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{{Music infobox
{{Infobox song
  | name      = Out of Shadow
  | name      = Out of Shadow
  | video      = {{#widget:YouTube|id=Q-ThPlXVqak|width=200|height=25}}
  | video      = {{#widget:YouTube|id=Q-ThPlXVqak|width=200|height=25}}
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  | composer  = [[Martin O'Donnell]] and [[Michael Salvatori]]
  | composer  = [[Martin O'Donnell]] and [[Michael Salvatori]]
  | length    = 4:37
  | length    = 4:37
  | last      = [[Brutes (Music)|Brutes]]
  | last      = [[Brutes (music)|Brutes]]
  | next      = [[To Kill a Demon]]
  | next      = [[To Kill a Demon]]
}}
}}


'''Out of Shadow''' is a song included in the [[Halo 3: Original Soundtrack|''Halo 3'': Original Soundtrack]]. It includes the tracks ''Out of Shadow'' and ''Into Light'', and plays during the levels [[Tsavo Highway]] and [[The Ark (level)|The Ark]].
'''Out of Shadow''' is the seventh track included in ''[[Halo 3: Original Soundtrack]]'', and plays during the ''[[Halo 3]]'' [[campaign]] level ''[[Tsavo Highway]]''. It is composed of ''Out of Shadow'' and ''Into Light''.


The track begins with a slow choir and string melody, which is then joined by a percussion rhythm at around 0:33. At 1:20, the choir and double bass take on the theme from Broken Gates/Encounter, from the [[Mombasa Suite]] in ''Halo 2''. Electric guitar and drums later join in at 1:45, and the track continues until 2:50. For the rest of the piece, the main melody is played on an electrical/synth sound, similar to that heard in [[Infiltrate]] and [[Brutes (Music)|We're Done Here]] earlier in the Soundtrack.
''Out of Shadow'' (2:50) begins with a slow choir and string melody, which is then joined by a percussion rhythm. The choir and double bass take on the melody of the third section of ''Broken Gates'' from ''[[Mombasa Suite]]'' (in ''[[Halo 2: Original Soundtrack]]''). Digital notes enter, slowly building up in a faster rhythm to match percussion of ''Broken Gates''. Electric guitar and percussion later join in, playing in a faster tempo. The piece ends with the percussion as the final line. The piece plays in the first chapter of the level, with the name alluding to [[John-117]] leading Marines out of the darkened caves under [[Crow's Nest|Crow's Nest (location)]]. The slow choir and string melody section plays in the initial cave section, while the electric guitar and percussion play in the savanna outside Crow's Nest. The digital notes would be reused later in the track ''[[Farthest Outpost]]''.


It runs for 4 minutes and 37 seconds.
''Into Light'' (1:47) transitions into strings. The main melody enters in an electrical/synth sound (similar to that heard in ''[[Infiltrate]]'' and ''[[Brutes (music)|We're Done Here]]'') with a quick tempo percussion beat. The synth notes varies in different pitches until the end, where vocals return to end the piece. The piece plays when [[John-117]] reaches where [[Marcus Stacker]]'s convoy was attacked by the [[Covenant]].
*The first track of this song, ''Out of Shadow'', is a slightly faster remix of Encounter/Broken Gates, from the [[Halo 2 OST|Halo 2 Soundtrack]], heard on the level [[Outskirts (level)|Outskirts]]. This melody is heard when you first encounter Hunters, and then again whilst fighting [[Jackal Snipers]], in the infamous 'Sniper Alley'.


{{Soundtrack|H3}}
{{Soundtrack|H3}}

Revision as of 10:31, June 15, 2020

Out of Shadow

Album:

Halo 3: Original Soundtrack

Composer(s):

Martin O'Donnell and Michael Salvatori

Length:

4:37

Previous:

Brutes

Next:

To Kill a Demon

 

Out of Shadow is the seventh track included in Halo 3: Original Soundtrack, and plays during the Halo 3 campaign level Tsavo Highway. It is composed of Out of Shadow and Into Light.

Out of Shadow (2:50) begins with a slow choir and string melody, which is then joined by a percussion rhythm. The choir and double bass take on the melody of the third section of Broken Gates from Mombasa Suite (in Halo 2: Original Soundtrack). Digital notes enter, slowly building up in a faster rhythm to match percussion of Broken Gates. Electric guitar and percussion later join in, playing in a faster tempo. The piece ends with the percussion as the final line. The piece plays in the first chapter of the level, with the name alluding to John-117 leading Marines out of the darkened caves under Crow's Nest (location). The slow choir and string melody section plays in the initial cave section, while the electric guitar and percussion play in the savanna outside Crow's Nest. The digital notes would be reused later in the track Farthest Outpost.

Into Light (1:47) transitions into strings. The main melody enters in an electrical/synth sound (similar to that heard in Infiltrate and We're Done Here) with a quick tempo percussion beat. The synth notes varies in different pitches until the end, where vocals return to end the piece. The piece plays when John-117 reaches where Marcus Stacker's convoy was attacked by the Covenant.