Editing Pedro Alvarez
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Following this, the remaining officers would start to plan behind Alvarez's back, forcing him to kill each one until he was the last one on the ship. On October 31, he would compose a final report where he admitted to his failure and reflected on what led him to his current situation, calling himself to a hollow copy of his old captain, and debated on how he "departs". He then made preparations to reactivate Lycaon and left the ''Saturn'' to do with it as he wanted, whether to return it to Earth, crash it into an asteroid or let it drift through space.{{Ref/Reuse|Atropos}} | Following this, the remaining officers would start to plan behind Alvarez's back, forcing him to kill each one until he was the last one on the ship. On October 31, he would compose a final report where he admitted to his failure and reflected on what led him to his current situation, calling himself to a hollow copy of his old captain, and debated on how he "departs". He then made preparations to reactivate Lycaon and left the ''Saturn'' to do with it as he wanted, whether to return it to Earth, crash it into an asteroid or let it drift through space.{{Ref/Reuse|Atropos}} | ||
==Personality and traits== | ==Personality and traits== | ||
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Alvarez also had a notable fascination with Francisco Goya and his collection of Black Paintings, particularly Saturn Devouring His Son, having managed to acquiring the original painting under "remarkable circumstances". After taking captaincy of a [[Paris-class heavy frigate]] as a reward for his efforts in taking command of the '''UNSC Lamplighter''' during the battle of Earth, Alvarez would name it after the painting and have it hung in its ready room. There, he would show it to any new officers that would transferred to the ''Saturn'', often giving a speech of the context behind the painting's creation, to gauge into how they thought and tactical acumen.{{Ref/Reuse|Saturn}}{{Ref/Reuse|Atropos}} | Alvarez also had a notable fascination with Francisco Goya and his collection of Black Paintings, particularly Saturn Devouring His Son, having managed to acquiring the original painting under "remarkable circumstances". After taking captaincy of a [[Paris-class heavy frigate]] as a reward for his efforts in taking command of the '''UNSC Lamplighter''' during the battle of Earth, Alvarez would name it after the painting and have it hung in its ready room. There, he would show it to any new officers that would transferred to the ''Saturn'', often giving a speech of the context behind the painting's creation, to gauge into how they thought and tactical acumen.{{Ref/Reuse|Saturn}}{{Ref/Reuse|Atropos}} | ||
==Trivia== | |||
*During his final report, Alvarez tells Lycaon that he acquired the painting of Saturn Devouring His Son under ''"remarkable circumstances"''. In [[2560#April|April, 2560]], a member of the human population on [[Atropos]], who had been stranded on the planet for 70 years, - an old man with a thick white beard and crooked teeth - would sell the same painting to [[Atun 'Etaree]], telling him that he'd got it in ''"remarkable circumstances"'' before they were stranded on the planet.{{Ref/Reuse|Atropos}} It is currently unconfirmed if Alvarez and the seller are one in the same. | |||
==List of appearances== | ==List of appearances== | ||