Editing Ghosts and Glass

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*The title is most likely a reference to the dead [[Spartan]]s (ghosts) and the [[glassing]] (glass) of [[Reach]].
*The title is most likely a reference to the dead [[Spartan]]s (ghosts) and the [[glassing]] (glass) of [[Reach]].
*The first theme of ''Ghosts and Glass'' began composition as ''“Ideas3”'', one of the many musical concepts being developed by O’Donnell during production. The piece represented [[NOBLE Team]]’s sacrifice, featuring a sad and poignant, but hopeful, melody. When the melody was being developed in an attempt titled ''“first”'', which was the first attempt to develop ''“Ideas3”'' into ''“Idea4”'', O’Donnell concluded that the piece needed a second theme for a B section. During the inception of the second theme, the climax featured a major seventh chord, which O’Donnell considered “too sweet”. The second theme’s main melody was finalized in a subsequent attempt titled ''“second”'' (named so because it is the second attempt to develop ''“Ideas3”'' in ''“Idea4”''), in which O’Donnell changed the major seventh chord. He also explored a different ending to the piece, which was omitted in the final track.{{Ref/YouTube|QYE02nTHKdU|Martin O'Donnell|Reach Music Inception Pt1|Y=2021|M=2|D=19}}
*The first theme of ''Ghosts and Glass'' began composition as ''“Ideas3”'', one of the many musical concepts being developed by O’Donnell during production. The piece represented [[NOBLE Team]]’s sacrifice, featuring a sad and poignant, but hopeful, melody. When the melody was being developed in an attempt titled ''“first”'', which was the first attempt to develop ''“Ideas3”'' into ''“Idea4”'', O’Donnell concluded that the piece needed a second theme for a B section. During the inception of the second theme, the climax featured a major seventh chord, which O’Donnell considered “too sweet”. The second theme’s main melody was finalized in a subsequent attempt titled ''“second”'' (named so because it is the second attempt to develop ''“Ideas3”'' in ''“Idea4”''), in which O’Donnell changed the major seventh chord. He also explored a different ending to the piece, which was omitted in the final track.{{Ref/YouTube|QYE02nTHKdU|Martin O'Donnell|Reach Music Inception Pt1|Y=2021|M=2|D=19}}
*The main melody was likely inspired by the famous pastoral melody in [[Wikipedia:The Planets#4. Jupiter, he Bringer of Jollity|"Jupiter" from Gustav Holst's "''The Planets''" suite]]. The original melody is separately known as the hymn tune "''[[Wikipedia:Thaxted (tune)|Thaxted]]''", and is famous as the patriotic song "''I Vow To Thee My Country''".
*The main melody was inspired by the famous pastoral melody in 'Jupiter' from Gustav Holst's "''The Planets''" suite. The original melody is separately known as the hymn tune "''[[Wikipedia:Thaxted (tune)|Thaxted]]''", and is famous as the patriotic song "''I Vow To Thee My Country''".


==Sources==
==Sources==

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