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| {{Status|RealWorld}} | | {{Era|RW}} |
| {{disambig header|the soundtrack|other uses|Requiem (disambiguation)}} | | {{disambig header|the soundtrack|other uses|Requiem (disambiguation)}} |
| {{Music infobox | | {{Infobox song |
| | name = Requiem | | | name = Requiem |
| | yt = ogZtRFTRjQM | | | video = <youtube width="200" height="25">e-CEDP-bxqY</youtube> |
| | album = ''[[Halo 4: Original Soundtrack]]'' | | | album = [[Halo 4: Original Soundtrack]] |
| | composer = [[Neil Davidge]] and Andrew Morgan{{Ref/Site|Id=commentary|URL=https://www.gamereactor.eu/halo-4s-composer-commentary/|Site=Gamereactor|Page=Halo 4's Composer Commentary|D=8|M=9|Y=2021}} | | | composer = [[Neil Davidge]] |
| | length = 2:17 | | | length = 2:15 |
| | last = [[Belly of the Beast]]
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| | next = [[Legacy]] | | | next = [[Legacy]] |
| }} | | }} |
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| '''Requiem''' is the third track in ''[[Halo 4: Original Soundtrack]]''. | | '''Requiem''' is the third track on the ''[[Halo 4: Original Soundtrack]]''. |
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| ==Overview==
| | {{Halo Music}} |
| The track opens with low strings playing somberly before a kantele joins in with snippets, leading into a cascade of melodies with high strings accompaniments. They build up to a crescendo before strings return with a grand melody, which repeats before fading out with snippets of synth effects and kantele.{{Ref/Reuse|commentary}}
| | [[Category:Halo 4 OST]] |
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| ==Appearances==
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| The track can be heard:
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| *In the campaign level ''[[Requiem (level)|Requiem]]'', when [[John-117]] leaves the {{UNSCShip|Forward Unto Dawn}}'s crashsite and sees the floating [[Forerunner]] towers inside [[Requiem]].
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| *In ''[[Spartan Ops]]'' Episode 10, ''[[S1/Exodus|Exodus]]'', during the ''Halo: Infinity'' cinematic, after the {{UNSCShip|Infinity}} flees from Requiem, seconds before the planet was destroyed.
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| ==Production notes==
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| The track was one of the three ideas produced by composer [[Neil Davidge]], after he was shown a concept art of Requiem, which he described as "a glorious alien vista with a singular, tiny, silhouetted figure in the foreground". Davidge's composition was then sent to fellow arranger/producer Andrew Morgan, who further developed the track.{{Ref/Reuse|commentary}}
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| ==Sources==
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| {{Ref/Sources}}
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| {{Soundtrack|H4}}
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