Editing Skyline

{{Status|RealWorld}}
{{Disambig header|the soundtrack|the Halo 4 multiplayer map|Skyline (level)}}
{{Music infobox
 | name       = Skyline
 | yt      = ka2yMEZ1kfI
 | album      = ''[[Halo 3: ODST Original Soundtrack]]''
 | composer   = 
*[[Martin O'Donnell]] and [[Michael Salvatori]]
*Martin O'Donnell, Michael Salvatori, and [[Stan LePard]] {{C|''Air Traffic Control''}}
 | length     = 7:02
 | producer   =
 | last       = [[Bits and Pieces]]
 | next       = [[No Stone Unturned]]
}}
'''Skyline''' is the eleventh track (Disc 2 Track 2) included in ''[[Halo 3: ODST Original Soundtrack]]'', and plays in the ''[[Halo 3: ODST]]'' campaign level ''[[NMPD HQ]]''. It is composed of ''No Response'' (0:00-1:23), ''Pick a Target, Any Target'' (1:23-2:56), ''Love At Long Range'' (2:56-4:35), and ''Air Traffic Control'' (4:35-7:02).

==Overview==
===No Response===
''No Response'' (1:23) opens with synth effects and digital chimes, much like in ''Lost and Unfound'' (from the earlier track ''[[More Than His Share]]'') and ''Look Both Ways'' (from the earlier track ''[[Traffic Jam]]''). However, it is soon joined by a muted and ambient synth melody. This ambiance holds for a short while before fading out. Low strings fade in, playing a short snippet of the low string melody from the second section of the track ''[[Suite Autumn]]'' (from ''[[Halo: Original Soundtrack]]''),{{Ref/YouTube|Id=complete|-2EOB6Am0Oo|benmarshall801|Halo 3: ODST Complete Soundtrack 12 - NMPD HQ|Y=2020|M=11|D=2}} then joined by high strings for an ending. The piece plays during the opening cinematic, then continues into the gameplay sequence afterwards.

===Pick a Target, Any Target===
''Pick a Target, Any Target'' (1:33) features various percussion instruments playing a tribal rhythm. The rhythm becomes more complicated before the synth effects and digital chimes from ''No Response'' make a short reprise. The piece plays in the first and second rooftop courtyards, where [[Edward Buck]] and [[Kojo Agu|Kojo "Romeo" Agu]] fight groups of Covenant. The short reprise of ''No Response'' plays when the two enters a room containing corpses of [[New Mombasa Police Department|NMPD]] officers and Covenant, and continues when they enter the third rooftop courtyard.

===Love at Long Range===
''Love At Long Range'' (1:39) opens with percussion playing the crisp beat from ''Oscar Mike'' (from the earlier track ''[[The Menagerie]]'') quickly joined by low strings playing a suspenseful and intense accompaniment. The low strings become more prominent, soon joined by short fanfare notes. The instruments swell by repeating a fanfare-like melody before ending in synchrony. The piece plays in the fourth rooftop courtyard, where Buck and Romeo encounter a [[Jiralhanae War Chieftain]].

===Air Traffic Control===
''Air Traffic Control'' (2:27) is a remix of ''On the Prowl'' (from ''The Menagerie'') with additional low brass parts, electric guitar cues, and occasional theremin. The piece repeats the main melody before fading out. The soundtrack version is noticeably shorter than the in-game version, which features additional improvisation snippets from the electric guitar.{{Ref/Reuse|complete}} The piece plays in a loop when [[Alpha-Nine]] defend the crash site.

==Production notes==
*The name ''No Response'' alludes to Buck's attempted transmission to [[Rookie]] during the opening cinematic.
*The name ''Pick a Target, Any Target '' is a nearly-direct quote from Buck, who says to Romeo, "Pick a target, take it out."
*The name ''Love At Long Range'' refers to Romeo's status as the squad's marksman.
*The name ''Air Traffic Control'' refers to the Phantoms and Banshees being fought by Alpha-Nine in NMPD HQ.

==Sources==
{{Ref/Sources}}

{{Soundtrack|ODST}}