Halo: Original Soundtrack: Difference between revisions

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==Overview==
==Overview==
===Composition===
===Composition===
{{Main|Music of Halo: Combat Evolved}}
The composition of the soundtrack for ''Halo: Combat Evolved'' began with the ''[[Halo Theme]]'' in July of [[1999]]. The ''Halo Theme'' was composed to invoke feelings of "ancient, epic, and mysterious", and made its debut in the [[Halo announcement trailer|''Halo'' MacWorld premiere demo]].{{Ref/YouTube|Id=aias|oPK81NG5ncE|Academy of Interactive Arts & Science|Halo and Destiny Composer, Marty O'Donnell <nowiki>|</nowiki> The AIAS Game Maker's Notebook}}{{Ref/Film|Id=RTL|[[Remaking the Legend]]}}
The composition of the soundtrack for ''Halo: Combat Evolved'' began with the ''[[Halo Theme]]'' in July of [[1999]]. The ''Halo Theme'' was composed to invoke feelings of "ancient, epic, and mysterious", and made its debut in the [[Halo announcement trailer|''Halo'' MacWorld premiere demo]].{{Ref/YouTube|Id=aias|oPK81NG5ncE|Academy of Interactive Arts & Science|Halo and Destiny Composer, Marty O'Donnell <nowiki>|</nowiki> The AIAS Game Maker's Notebook}}{{Ref/Film|Id=RTL|[[Remaking the Legend]]}}


O'Donnell and Salvatori then completed the rest of the soundtrack over the course of [[2001]]. Different aspects of the ''Halo Theme'', including the Gregorian chant and string melody, were adapted into other musical pieces in the game.{{Ref/YouTube|Id=digipen|UKG0d3jYe9Q|Martin O'Donnell|Composing Music for Halo, Destiny, and Golem}} The composers worked closely with the level designers to understand where the different points of tension and release would come into play within each level. The music was cut and edited into chunks that the game audio engine played dynamically based on the player's actions. The music used [[Wikipedia:MIDI|MIDI]] recordings, featuring keyboards, synths, and samplers as well as digital recording equipment controlled by computers. The composers added live instrumental performances to those recordings where needed. Certain tracks only adapted the live performance.{{Ref/Site|URL=https://web.archive.org/web/20070301150741/http://www.xbox.com/en-US/games/h/halo/themakers3.htm|Site=Xbox.com|Page=Halo: Combat Evolved - Just the Right Sense of "Ancient"}}
O'Donnell and Salvatori then completed the rest of the soundtrack over the course of [[2001]]. Different aspects of the ''Halo Theme'', including the Gregorian chant and string melody, were adapted into other musical pieces in the game.{{Ref/YouTube|Id=digipen|UKG0d3jYe9Q|Martin O'Donnell|Composing Music for Halo, Destiny, and Golem}} The composers worked closely with the level designers to understand where the different points of tension and release would come into play within each level. The music was cut and edited into chunks that the game audio engine played dynamically based on the player's actions. The music used [[Wikipedia:MIDI|MIDI]] recordings, featuring keyboards, synths, and samplers as well as digital recording equipment controlled by computers. The composers added live instrumental performances to those recordings where needed. Certain tracks only adapted the live performance.{{Ref/Site|Id=ancient|D=1|M=3|Y=2007|URL=http://www.xbox.com/en-US/games/h/halo/themakers3.htm|Site=Xbox.com|Page=Halo: Combat Evolved - Just the Right Sense of "Ancient"}}


===Release===
===Release===
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While not displayed on the track listing, the soundtrack contains the track ''[[Siege of Madrigal]]'' from [[Bungie]]'s previous game, ''[[wikipedia:Myth The Fallen Lords|Myth: The Fallen Lords]]''. It plays following a period of silence near the end of the final track.
While not displayed on the track listing, the soundtrack contains the track ''[[Siege of Madrigal]]'' from [[Bungie]]'s previous game, ''[[wikipedia:Myth The Fallen Lords|Myth: The Fallen Lords]]''. It plays following a period of silence near the end of the final track.


One piece of music, heard on the level ''[[Assault on the Control Room]]'', does not appear on the soundtrack. Retroactively titled ''[[Lost Muse]]'' by O'Donnell, it was made available on [[Bungie.net]] until the site went offline in 2021.{{Ref/Site|URL=http://halo.bungie.net/projects/halo/asset_thumb_viewer.aspx?at=55&cc=25|Site=Bungie.net|Page=Lost Muse}}
One piece of music, heard on the level ''[[Assault on the Control Room]]'', does not appear on the soundtrack. Retroactively titled ''[[Lost Muse]]'' by O'Donnell, it was made available on [[Bungie.net]] until the site went offline in 2021.{{Ref/Site|Id=cutmusic|D=25|M=10|Y=2020|URL=http://halo.bungie.net/News/Media.aspx?mid=13895&age_verify=1|Site=Bungie.net|Page=Media Player - Halo Music}}


Various pieces of music from the soundtrack would be arranged and orchestrated for ''Halo 2'' and ''[[Halo 3]]''. Called “emotional equity” by O’Donnell, players would feel a sense of familiarity when themes are being repurposed, remixed, and reused throughout the trilogy.{{Ref/YouTube|0zG18XfsnvI|The Act Man|A LEGENDARY Interview with Martin O’Donnell (Composer From Bungie, Halo, Destiny)}}
Various pieces of music from the soundtrack would be arranged and orchestrated for ''Halo 2'' and ''[[Halo 3]]''. Called “emotional equity” by O’Donnell, players would feel a sense of familiarity when themes are being repurposed, remixed, and reused throughout the trilogy.{{Ref/YouTube|0zG18XfsnvI|The Act Man|A LEGENDARY Interview with Martin O’Donnell (Composer From Bungie, Halo, Destiny)}}
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{{Main|Ghosts of Reach}}
{{Main|Ghosts of Reach}}
There is a preview of ''[[Ghosts of Reach]]'', a track from the ''Halo 2'' soundtrack. It is accompanied by an image from the ''Halo 2'' E3 demo, featuring John-117 [[dual wielding]] SMGs and looking up at the sky before [[Covenant drop pod]]s land near him.
There is a preview of ''[[Ghosts of Reach]]'', a track from the ''Halo 2'' soundtrack. It is accompanied by an image from the ''Halo 2'' E3 demo, featuring John-117 [[dual wielding]] SMGs and looking up at the sky before [[Covenant drop pod]]s land near him.
==Trivia==
The back cover of the physical CD release for the soundtrack has the acronym "[[SABABWL]]" above the barcode, at the end of the copyright legal text. This acronym is a long-running [[Bungie]] easter egg, based on a quote by Marty O'Donnell referring to ''Halo: Combat Evolved''{{'}}s graphics technology. This follows a tradition started with the ''[[Marathon]]'' games, which had similar acronyms on their boxes.{{Ref/Site|URL=http://marathon.bungie.org/story/boxacronyms.html|Site=marathon.bungie.org|Page=Bungie Box Acronyms|D=12|M=02|Y=2022}}


==Gallery==
==Gallery==
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File:HCE OST Bonus DVD Menu.png|Bonus DVD menu.
File:HCE OST Bonus DVD Menu.png|Bonus DVD menu.
</gallery>
</gallery>
==Trivia==
The back cover of the physical CD release for the soundtrack has the acronym "[[SABABWL]]" above the barcode, at the end of the copyright legal text. This acronym is a long-running [[Bungie]] easter egg, based on a quote by Marty O'Donnell referring to ''Halo: Combat Evolved''{{'}}s graphics technology. This follows a tradition started with the ''[[Marathon]]'' games, which had similar acronyms on their boxes.{{Ref/Site|URL=http://marathon.bungie.org/story/boxacronyms.html|Site=marathon.bungie.org|Page=Bungie Box Acronyms|D=12|M=02|Y=2022}}


==Sources==
==Sources==
{{Ref/Sources}}
{{Ref/Sources}}


{{Halo Music}}
{{Soundtrack}}


[[Category:Halo music|Halo 1: Original Soundtrack]]
[[Category:Halo: Combat Evolved OST| ]]
[[Category:Halo: Combat Evolved OST| ]]