Jake Courage

Jake Courage (2503-2552) was a ground-breaking British war photographer.

Background
In 2552, he famously took pictures of the Second Battle of New Mombasa, and captured the last known shot of the hero of the human race: Master Chief. This was also the last photo he ever took, as he was killed in that very same battle by a grenade. He left behind a son, John Courage and a wife, Mary Courage.

Life and career
Courage’s career began in 2527 as a photo journalist on Reach, where he was well known for his shocking and uncompromising style of photography. Many of his photos won awards – including the most famous ‘Killing Time’ which won him the John Pilger prize in 2530.

He remained at Reach for five years until a disagreement with his editor. Although the details remain ambiguous, it is believed that Courage wanted to print a series of pictures from a deadly Grunt attack. His editor refused on the grounds that they were too graphic, and so Jake Courage left the paper and staged his own exhibition. The photos won him critical acclaim and set him up as a well-respected war photographer.

From 2532 onwards he continued to expose the truth behind war with harrowing pictures of some of the galaxy’s bloodiest battles. It was during this time that he earned the trust and respect of the 77th Marine Regiment, including war hero Master Chief Petty Officer John-117 – to whom he became a loyal companion.

The photos covering the Second Battle of New Mombasa 2552 are undoubtedly his most famous. His unlimited access to the UNSC regiment resulted in a series of photographs that enabled the world to see the heroic acts of the soldiers in battle – including John-117. In a quote from Jake Courage taken during the battle he said, ‘I’ve got to know these soldiers’ lives intimately. One man, I consider my friend… he is the human face of war. He is Spartan 117, he is Master Chief’.

His collection of photography from the battle, entitled ‘Shooting a Hero’ is currently on a tour of Great Britain.

Photography equipment
Traditionally, war photographers use an inbuilt retina camera or helmet-cam, however Courage preferred more traditional methods that enabled him to have more control over his landscape. He mainly used a Dynamo 507 3D with ultra 4Res lens and quadric digital transfer. The 900 nanoseconds transfer rate enabled photos to be transferred back to base instantly. His equipment was always coated in a substance made from titanium and cockroach shell that enabled it to withstand the radiation. It should also be noted that he preferred to shoot in an archaic sepia tone instead of full tonal color.

Controversy
"I hate blood and I hate violence. So what possessed me to choose to be a war photographer? Because I’m drawn to heroes. I’m drawn to the selfless act of someone putting their own life on the line for the sake of humanity. Because amongst the horror and the madness, I like to think I can show that some good can come out of something so horrific."

- Jake Courage in October 2552, before heading to the Second Battle of New Mombasa

Courage’s photos have always been the subject of some controversy, suffering under the argument that war photography can desensitize the public to scenes of violence and death. However, Courage always argued the power of the image can make more noise and have a greater impact than a gun can ever have.

Trivia

 * One must wonder if Jake Courage ever existed, and if he had, were his images altered by Section II of ONI, as the Photographer's were. It would seem odd that Section 02 would allow more brutal and telling pictures of the war to surface, as they were considerably more vehement to heavily edit such imagery.

Awards

 * The John Pilger prize for ‘Killing Time’ in 2530.
 * The International War Photography prize for ‘Screams in Space’ in 2529 and ‘Dead on Arrival’ in 2538.
 * The MoH lifetime achievement award for ‘Flies on flesh’ in 2534.
 * Gold Medal in the WPP awards in 2543.